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Today's Opinions

  • Convention a passport to lost musical territory

    California-born music writer and critic Greil Marcus once used the term “old, weird America” to refer to the sound of the songs collected on the popular and enduring “Anthology of American Folk Music.”

    The anthology itself was created by another West Coast native, Harry E. Smith, who compiled the three-album set with every American blues, folk and country song he could find. He teased out ballads, “social music” and just plain songs.

  • Convention a passport to lost musical territory

    California-born music writer and critic Greil Marcus once used the term “old, weird America” to refer to the sound of the songs collected on the popular and enduring “Anthology of American Folk Music.”

    The anthology itself was created by another West Coast native, Harry E. Smith, who compiled the three-album set with every American blues, folk and country song he could find. He teased out ballads, “social music” and just plain songs.

  • Convention a passport to lost musical territory

    California-born music writer and critic Greil Marcus once used the term “old, weird America” to refer to the sound of the songs collected on the popular and enduring “Anthology of American Folk Music.”

    The anthology itself was created by another West Coast native, Harry E. Smith, who compiled the three-album set with every American blues, folk and country song he could find. He teased out ballads, “social music” and just plain songs.

  • Convention a passport to lost musical territory

    California-born music writer and critic Greil Marcus once used the term “old, weird America” to refer to the sound of the songs collected on the popular and enduring “Anthology of American Folk Music.”

    The anthology itself was created by another West Coast native, Harry E. Smith, who compiled the three-album set with every American blues, folk and country song he could find. He teased out ballads, “social music” and just plain songs.

  • Convention a passport to lost musical territory

    California-born music writer and critic Greil Marcus once used the term “old, weird America” to refer to the sound of the songs collected on the popular and enduring “Anthology of American Folk Music.”

    The anthology itself was created by another West Coast native, Harry E. Smith, who compiled the three-album set with every American blues, folk and country song he could find. He teased out ballads, “social music” and just plain songs.

  • Convention a passport to lost musical territory

    California-born music writer and critic Greil Marcus once used the term “old, weird America” to refer to the sound of the songs collected on the popular and enduring “Anthology of American Folk Music.”

    The anthology itself was created by another West Coast native, Harry E. Smith, who compiled the three-album set with every American blues, folk and country song he could find. He teased out ballads, “social music” and just plain songs.

  • Convention a passport to lost musical territory

    California-born music writer and critic Greil Marcus once used the term “old, weird America” to refer to the sound of the songs collected on the popular and enduring “Anthology of American Folk Music.”

    The anthology itself was created by another West Coast native, Harry E. Smith, who compiled the three-album set with every American blues, folk and country song he could find. He teased out ballads, “social music” and just plain songs.

  • Convention a passport to lost musical territory

    California-born music writer and critic Greil Marcus once used the term “old, weird America” to refer to the sound of the songs collected on the popular and enduring “Anthology of American Folk Music.”

    The anthology itself was created by another West Coast native, Harry E. Smith, who compiled the three-album set with every American blues, folk and country song he could find. He teased out ballads, “social music” and just plain songs.